Everything a developer needs to build a Korean hanok village and the street through it, for a historical, folk tale or village life setting. The architecture is modular on a 3 m grid: a dressed stone plinth base, a raised maru floor of joists and boards, a post and beam frame bay, a walled room bay with a four leaf papered front, hipped and gabled tile roof cassettes closed by a ridge tile run, an eave run of round end tiles, an exposed rafter set, beaten earth courtyard ground, a stone street, a stepped lane, an underfloor ondol flue run, and boundary wall straights, corners and end piers of stone and clay under a tiled capping. The set pieces are a three bay main house with the open maru floor between two papered rooms under a hip and gable roof, a smaller side wing, a gate house whose two heavy timber leaves swing, a thatched outbuilding, a free standing sliding lattice door set in a plain and a diamond lattice, a fixed and a lifting hanji window, a chimney stack, an ondol firebox and a kitchen hearth with two iron cauldrons. The yard and the rooms are furnished: a jangdokdae terrace with fermentation jars in three sizes, a chest of drawers, a rice chest, a low table, floor cushions, a folding screen, a charcoal brazier, a hanging lantern, a standing lamp, a bench, a hand loom, a mortar and pestle stand, a water trough, a stone basin, a well head, buckets, a firewood stack, straw sacks of grain, a stack of roof tiles, a persimmon drying rack, a market stall with an awning, produce baskets, a blank hanging sign board, a stone pagoda ornament, a persimmon tree, a pine, bamboo, stepping stones, a pond edge run and a pond water module. Movement is rigid node transforms only: the sliding papered leaves, the swinging gate, the lifting window, the firebox door, the cauldron lid, the jar lids, the chest lid, the drawers, the screen panels, the bobbing lantern, the turning windlass and the turning cloth beam of the loom. What does not move is deliberate and is said in each description: hanji paper, thatch, straw rope, hanging cloth and the strings of drying persimmons are flexible material, which needs a joint per element or a shader, and one rigid node transform reaches none of it, so they ship in the single pose they hang in; fire, smoke and water are effects and fluid rather than geometry, so the firebox and the hearth are modelled cold and every water surface is a flat pane. There are no people or animals in the pack and nothing here is skinned. Nothing depicts a real village, house, palace, temple, dynasty landmark or institution, no real building is reproduced, and every board, banner and painted field is a blank shape inside a plain border: there is no hangul, no hanja and no script of any kind anywhere in the pack. All original CC0 geometry, no brands and no logos.

Files load directly from the CDN. Choose the pieces you need. Colliders, navigation and gameplay scripts are supplied by your game.