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About

A modern realistic television studio library for building a studio floor, a production gallery and the back of house behind them. The floor is modular: 2 m tiles plain and marked up for a shoot, 2.4 m cyclorama bays 4 m tall with a coved base and a quarter turn corner on a 1.2 m radius, 1.2 m timber framed set flats plain, with a doorway and skinned in chroma green, and riser platforms to stand a set on. The sets are modelled as sets: a bowed news desk with a lit front panel, a monitor let into the top and desk microphones, a two seat chat show sofa with matching interview chairs, a presentation screen on a braced stand, floor monitors, scenery braces on cast stage weights, mark spikes and camera tape. The cameras are a pedestal on a three wheel dolly, the same pedestal with an autocue on the lens, a shoulder camera on a tripod and a 3.1 m jib arm with the head slung under it. Over them, 2 m lighting grid bays with grating walkways carrying fresnels on hook clamps, a barn door spot, softbox panels, cable drapes and a sound boom. Behind the glazed partition, a gallery of 1.8 m desk bays with monitor stacks, a vision mixer, a sixteen channel sound desk, a talkback panel, monitor walls, operator chairs and an equipment rack, and beyond that a makeup station with a lit mirror, a wardrobe rail, a green room sofa and table, prop store shelving and a studio door with a soundlock. Barn doors, camera heads, the jib arm, the boom, autocue and monitor arms, chair seats, rack and desk drawers, the cable drum and every door and soundlock leaf are named nodes on their own pivots and ship rigid open, close, pan, tilt, spin and wheel-roll clips: node transforms only, no skinning. Cables, cable drapes, sound blankets, garment covers, softbox diffusion and light beams stay static, because a flexible run is not reachable with a rigid node transform and a light cone is a shader rather than geometry. Screen faces are plain lit panels with a status strip, never readable pictures, and nothing in the pack carries a broadcaster, programme or equipment brand. Every file is self-contained CC0 geometry with no collision or navigation data.

Files load directly from the CDN. Choose the pieces you need. Colliders, navigation and gameplay scripts are supplied by your game.

Use with an AI agent

Copy this prompt into your AI chat, then describe what you want to build with the pack.

Use the “TV Studio and Broadcast Gallery” pack in my project.

Manifest (JSON, every model with its CDN URL): https://3dassets.dev/api/v1/packs/tv-studio-and-broadcast-gallery
Starter scene (one GLB with every piece placed): https://cdn.3dassets.dev/assets/35527/v1/model.glb
Pack page: https://3dassets.dev/packs/tv-studio-and-broadcast-gallery
Description: Realistic television studio models: a blue cyclorama and set flats on a modular floor, a news desk, chat show seating, cameras on pedestals, tripods and a jib, a lighting grid with fresnels and softboxes, and a production gallery of desks, mixers and monitor walls.

- 47 GLB models, 5.3 MB in total
- Units: metres, +Y up, shared scale and palette across the pack
- Licence: CC0 1.0 Universal (no attribution required)
- Loading: three.js GLTFLoader; no additional decoders required. Load models individually from the manifest, or the starter scene as one file.

Also available as a JSON manifest or via the MCP server.

Common questions

How do I use TV Studio and Broadcast Gallery with my AI development tools?

Press "Copy for AI agent" above and paste the prompt into Claude Code, Cursor, Codex, GitHub Copilot, ChatGPT or any other coding assistant. The prompt carries the direct CDN URL, the real-world size, the licence and the loading notes, so the assistant can fetch the pack and place it in your project without you writing the loader yourself. For a permanent connection, add the 3DAssets.dev MCP server to your tool with one command (for Claude Code: claude mcp add --transport http 3dassets https://3dassets.dev/mcp) and the assistant can then search the whole catalogue, fetch files and read the usage snippets on its own.

MCP server setup Guide for AI agents

How do I get started?

Download the starter scene with the button to get every piece already placed as one .glb, or take individual models from the grid below, each with its own download and CDN URL. The JSON manifest linked above lists every file with its URL and size, which is what an AI agent uses to pull the pack into a project. Connect your agent to the MCP server and it can do all of that by itself.

MCP server setup API reference

Which game engines and tools can I use TV Studio and Broadcast Gallery with?

Anything that reads glTF, which today means all of the major ones: three.js and React Three Fiber on the web, Godot 4, Unity, Unreal Engine 5, Blender and the model-viewer web component. Every model in the pack is a self-contained binary glTF (.glb) with textures embedded, and so is the starter scene, so each is one file to import and no plugin, converter or decoder to install first.

How do I import this pack into Unity, Godot, Unreal or Blender?

Unity: install the glTFast package (com.unity.cloud.gltfast) from the Package Manager, drop the .glb into Assets and drag the prefab in, or load it at runtime from the CDN URL. Godot 4: copy the file into the project folder and the editor imports it as a scene you can instantiate. Unreal Engine 5: File > Import with the built-in glTF importer, which converts the axes for you. Blender: File > Import > glTF 2.0. Units are metres with +Y up in the file, and every importer above handles the conversion to its own axes automatically.

Can I use TV Studio and Broadcast Gallery in a commercial game, and do I need to credit anyone?

Yes to commercial use and no to credit. Every pack on 3DAssets.dev is released under CC0 1.0 Universal, which places it in the public domain: use it in a paid game, an app, a film or a client project, modify it, redistribute it, and put nothing in the credits. A link back is welcome but it is entirely your choice.

CC0 licence text

Can I load it from the CDN instead of downloading it?

Yes. The starter scene, one .glb with every piece placed, has a permanent URL on cdn.3dassets.dev that is CORS-enabled and never changes content, so you can pass it straight to GLTFLoader, glTFast or model-viewer in production and cache it as hard as you like. Downloading is only needed for engines that import from disk.

Do I have to download the whole pack?

No. Every model in the pack is a separate published asset with its own download and CDN URL, so you can take one prop or the entire set. The starter scene is the one-file option for people who want everything placed at once.

Do the models in TV Studio and Broadcast Gallery fit together?

That is the point of a pack. The members are built together to one real-world scale with consistent pivots and a shared palette and level of detail, so a building, a vehicle and a prop from the same pack sit correctly in one scene without rescaling or re-texturing.

Game kit

TV Studio and Broadcast Gallery

Realistic television studio models: a blue cyclorama and set flats on a modular floor, a news desk, chat show seating, cameras on pedestals, tripods and a jib, a lighting grid with fresnels and softboxes, and a production gallery of desks, mixers and monitor walls.

Download pack · 2.5 MB

One GLB with every piece placed in a starter scene. Each model is also below on its own.

View demo

Everything in this pack

Studio Floor Tile (TV Studio and Broadcast Gallery)

A 2 m square studio floor tile, 40 mm thick: a grey painted deck on a steel sub-frame with a recessed alloy cable trap lid in one corner. Ports at the four edge midpoints tile a studio floor of any size in both directions.

@3dassets192 tris