A modern realistic recording studio library for building a live room, a control room and everything in them. The instruments are modelled as instruments: electric, bass and acoustic guitars with waisted bodies, fretted necks, tuners and strings on their stands, a five piece kit broken into a bass drum with rack toms, a snare on its basket stand, a floor tom, a crash on a straight stand and a hi-hat, a synth on an X stand and an upright piano, with a valve combo, an eight by ten bass rig, a pedal board and microphones on boom and straight stands. The control room holds a sixteen channel console with a meter bridge, nearfield monitors on stands, a rack cabinet and a wheeled outboard rack, a screen desk, a chair, a patch bay, a monitor controller, headphones on a wall hook and a two inch tape machine. Three modular systems build the rooms: floating floor modules on a 1 m grid with floor-left, floor-right, floor-front and floor-back ports, wall modules on a 1.2 m grid 2.4 m tall in acoustic panel, window and door versions with wall-left and wall-right, capped by a corner bass trap, and isolation screens on 0.9 m that fold into a booth. Case lids, rack drawers, the door leaf, the crash and hi-hat cymbals, both tape reels, the cable drum and the chair seat are named nodes on their own pivots and ship rigid open, close, spin and tilt clips: node transforms only, no skinning. Strings, cables, headphone leads, tape, cymbal felts and the fabric of screens and clouds stay static, because a flexible run is not reachable with a rigid node transform and faking it costs a consumer more than it gives. Every file is self-contained CC0 geometry with no collision or navigation data.

Files load directly from the CDN. Choose the pieces you need. Colliders, navigation and gameplay scripts are supplied by your game.