A working modern cinema, auditorium and front of house, for building a whole multiplex floor. The rake is modular on a 1.1 m tread and a 0.3 m riser: a 3 m seating row carrying four tip up seats on the 0.75 m house pitch, a premium recliner row that drops into the same rake, and a 1.2 m aisle step that keeps pace beside it. Two rows butt into a six seat bank and six tiers make a screen. Around them go a 5.2 by 2.25 m silver screen behind its masking surround on a stage plinth, acoustic wall panels with fabric flutes, side wall light strips, surround speakers on brackets, an exit door module with a lit running man sign, the projection port panel the booth looks through, row letter signs, cup holder armrests, aisle floor tiles and a wheelchair space marking tile. The booth and back of house cover the projector on its plinth, the server rack, the spare lamp flight case, the step ladder, the cleaning trolley, the popcorn kettle machine, the warmer bin, a four valve drinks tower, an ice machine, the nacho and hot dog counter, stocked shelving and a bank of bins. Front of house is the box office with its pay windows and till screens, self service ticket kiosks, a 1.6 m concessions counter module that runs to any length, menu board banks, queue rails and rope barriers, poster light boxes standing and wall mounted, standees, benches, an arcade cabinet, a ticket tear podium, screen number signs, lit ceiling coffers, foyer wall modules and bold patterned carpet tiles. The seat bases, the exit door leaves, the popcorn kettle drum, the drinks flap, the ice machine lid, the trolley castors and the kiosk head are named nodes on their own pivots with rigid open, close, spin, roll and tilt clips: node transforms only, no skinning. A seat base hinges on the back of its own base, which is where a real tip up seat hinges. The screen fabric, the masking skirt, the projected image, the recliner linkage, the belt in a queue rail, the velvet rope and every cable stay static, because none of them is reachable with one rigid node transform and faking it costs a consumer more than it gives. No cinema chain, studio or film is represented: every poster face and standee is an abstract panel of colour. Every file is self-contained CC0 geometry with no collision or navigation data.

Files load directly from the CDN. Choose the pieces you need. Colliders, navigation and gameplay scripts are supplied by your game.