Free models · Game-ready GLB
Props
Every realistic prop below is a self-contained .glb under 25 MB that drops into three.js, Blender, Godot, Unity and Unreal, free to use and modify in commercial projects without attribution.
Load one straight from its CDN URL with a plain GLTFLoader, or take a whole props set from the packs.
7,779 free GLB models
AnimatedMakeup Station with a Lit Mirror (TV Studio and Broadcast Gallery)
A 1.5 m makeup station: a timber counter at 780 mm on a recessed plinth with three drawers, a 1 m cream bordered mirror behind it with ten bulbs down the sides in amber housings, a pot of brushes and a folded towel. The middle drawer runs out on its slides.
AnimatedEquipment Rack with Gear (TV Studio and Broadcast Gallery)
A 1.6 m 19 inch equipment rack on braked castors: an open alloy frame with dark side and back panels, seven loaded gear faces with meter windows, amber knob rows and rack screws, an amber patch strip and a shallow accessory drawer on slides.
AnimatedGallery Operator Chair (TV Studio and Broadcast Gallery)
A five star gas lift operator chair at 500 mm to the seat: a crowned teal seat pad and a raked back on a dark shell, amber capped arms and castors. The seat swivels on the gas lift column.
Talkback Panel (TV Studio and Broadcast Gallery)
A 300 mm talkback station for a gallery desk: eight amber key buttons and a red cut key on a raked face, a gooseneck microphone on its boss and an alloy front edge. This is what the director speaks to the floor on.
Gallery Sound Desk (TV Studio and Broadcast Gallery)
A sixteen channel sound desk for the gallery: sixteen 100 mm faders with cream caps on a raked bay, three amber rotaries per channel, a red master strip and a meter bridge with a lit window, in a dark shell with an alloy front edge. It is 1.24 m across and sits on a desk top.
Vision Mixer Panel (TV Studio and Broadcast Gallery)
A 1.02 m vision mixer control surface for a gallery desk: three banked rows of twelve source buttons in cream, amber and red, a transition block, two T bar levers in their slots, a small raked status panel and an alloy front edge. It sits 120 mm proud of a desk top.
AnimatedCable Drum on a Stand (TV Studio and Broadcast Gallery)
A 520 mm camera cable drum on an alloy A frame stand at 580 mm: a flanged drum with an amber band and a wound core, turning on a through axle, with a tail of cable run off to the floor. The drum spins on its axle.
Sound Blankets on a Rail (TV Studio and Broadcast Gallery)
A 1.8 m wheeled rail hung with three heavy acoustic blankets at 1.95 m, on braked castors with an amber band at the head of each blanket. This is what a crew wheels in to kill a reflection off a hard set wall.
Studio Clock (TV Studio and Broadcast Gallery)
A 420 mm studio sweep clock: a dark bezel over a cream dial with twelve markers, a pair of hands and a red sweep hand on its boss, on a square wall plate. The plate sits flat against the wall and the dial centre is 70 mm proud of it.
Studio Sandbag (TV Studio and Broadcast Gallery)
A 460 mm canvas sandbag, modelled slumped in two lobes rather than as a square block, with an amber webbing handle over the top and a band round the waist. One goes on the foot of every stand and brace in a studio.
Cable Ramp (TV Studio and Broadcast Gallery)
A 900 by 520 mm moulded cable ramp 75 mm high with three cable channels under amber lids and alloy edge strips. It is what a camera pedestal crosses a cable run on without a bump in the shot.
On Air Light (TV Studio and Broadcast Gallery)
A 720 mm illuminated studio door light: a dark box with a red emissive face behind two cream bars, on an alloy hood and two side brackets that hold it off the wall. It is the one thing in a studio that is meant to be read from the corridor.
AnimatedBoom Microphone on a Pole (TV Studio and Broadcast Gallery)
A studio sound boom: a two stage telescopic pole on an alloy tripod at 1.72 m, with a shotgun microphone slung in a two ring suspension basket 1.8 m out over the set. The pole tips on its yoke, which is how an operator swings the mic between speakers.
Softbox Panel Light (TV Studio and Broadcast Gallery)
A 900 by 620 mm softbox on a hook clamp: a tapered fabric box on an alloy frame with a double layer of diffusion across its face, dark skirt panels round the sides and a yoke with tilt locks. It hangs 1.06 m from the clamp jaw to the bottom of the frame.
Cable Drape from the Grid (TV Studio and Broadcast Gallery)
A 4.4 m loom of studio cable dropped from the grid to the floor: seven sheathed runs off a tie off bar, banded at three heights with amber ties and flaked out along the floor at the bottom. It dresses the gap between a lighting grid and the floor, where a studio always has one.
AnimatedFresnel Lamp on a Hook Clamp (TV Studio and Broadcast Gallery)
A 320 mm studio fresnel on a hook clamp: a finned lamp house on a yoke with tilt locks, a stepped fresnel lens in its front ring, two barn door leaves with amber edge trim, a cable gland and a safety bond. It hangs 690 mm from the clamp jaw to the bottom of the body.
AnimatedBarn Door Spot (TV Studio and Broadcast Gallery)
The same lamp built as a hard edged spot: a conical snoot with an amber front ring in place of the open lens, on the same yoke, hook clamp and barn door leaves. Use it for a hard key or a background break up beside the fresnel wash.
AnimatedJib Arm on a Base (TV Studio and Broadcast Gallery)
A 3.1 m camera jib on a three castor base: a triangulated alloy boom through a fulcrum at 1.34 m, three cast counterweights on the short end and a remote pan and tilt head on a hanger at the long end, 2.05 m out.
AnimatedPedestal Camera with an Autocue (TV Studio and Broadcast Gallery)
The same pedestal camera with an autocue on the lens: a script monitor under the barrel and a 45 degree beamsplitter glass in a hood on its bracket, carried on the camera head so it pans with the lens.
AnimatedShoulder Camera on a Tripod (TV Studio and Broadcast Gallery)
A shoulder camera on a two stage alloy tripod with a spreader and rubber feet: a pan and tilt head at 1.31 m carrying a camera with a 340 mm lens, a viewfinder, a tally lamp, a shoulder pad and a side handle. The head pans on the tripod bowl.
AnimatedPedestal Camera on a Dolly (TV Studio and Broadcast Gallery)
A studio pedestal camera: a three wheel dolly with a steering ring, a two stage pneumatic column, a pan and tilt head and a broadcast camera with a stepped zoom lens, a viewfinder, a red tally lamp and two pan bars. The lens sits at 1.37 m at rest and looks toward +Z.
Mark Spikes and Gaffer Tape (TV Studio and Broadcast Gallery)
A floor dressing group: two rolls of amber camera tape stood on end, a roll of white tape on its side, a taped presenter mark and a spike line on the floor, and a marker pen. The tape is 96 mm across and sits a couple of millimetres proud of the deck.
Studio Floor Monitor (TV Studio and Broadcast Gallery)
A 720 mm studio floor monitor on a raked wedge base: a bezelled panel tipped back 16 degrees so a presenter reads it from standing height, on a weighted foot with an amber trim band and rubber pads.
Scenery Brace and Stage Weight (TV Studio and Broadcast Gallery)
A telescopic scenery brace on a 400 mm cast stage weight: a slotted iron plate with a carrying handle and an amber edge band, and an alloy brace raking up 1.35 m with its clutch collar and the shoe that screws to the back of a flat. This is what holds a set flat upright.