Free models · Game-ready GLB
Realistic
Every realistic model below is a self-contained .glb under 25 MB that drops into three.js, Blender, Godot, Unity and Unreal, free to use and modify in commercial projects without attribution.
Load one straight from its CDN URL with a plain GLTFLoader, or take a whole themed set from the packs.
11,985 free GLB models
Orchestra Pit Rail (Theatre Stage and Backstage)
A 2 m run of brass pit rail: two standards on plates carrying a top and mid rail with a dark mesh infill and a boarded kerb at the foot, for the edge between the stalls and the pit.
House Wall Module (Theatre Stage and Backstage)
The 2 by 4.6 m wall the auditorium and the backstage are built from: cream plaster over a crimson dado with a gilt rail, and a shallow pilaster with a gilt cap up the face.
Orchestra Pit Rostrum (Theatre Stage and Backstage)
A 1.2 m square player rostrum 400 mm high for the pit, dressed with a music stand and a stool: the same folding frame and boarded top as a stage rostrum at half the height.
Box Seating Unit (Theatre Stage and Backstage)
A two seat side box: a carpeted floor 2.2 by 1.8 m with a panelled front under a gilt band, plaster side walls, a crimson draped canopy over it and two chairs inside.
Circle Balcony Front Section (Theatre Stage and Backstage)
A 3 m section of circle front: a bowed plaster face with gilt bands top and bottom and three crimson panels, a carpeted soffit 1.4 m deep behind it and a brass rail on two standards above.
Aisle Step Module (Theatre Stage and Backstage)
The 1.2 m aisle step that runs up the side of a seating bank: the same 1 m tread and 250 mm riser as a stalls row, with a gilt nosing, a carpet runner and a step light let into the riser.
AnimatedStalls Seating Row Module (Theatre Stage and Backstage)
A 3 m stalls module carrying four tip up seats on a 720 mm pitch: a 1 m tread on a 250 mm riser with a gilt nosing and a carpet runner, crimson buttoned backs with gilt piping, black standards with scroll ends and four folding bases.
Prompt Desk with Monitor and Cue Light (Theatre Stage and Backstage)
The corner desk that runs a show from the wing: a boarded top at 900 mm on a black frame with a shelf, a bezelled monitor showing the stage, a paging microphone on a gooseneck, a cue light head in red and green, and the prompt copy open on the desk.
Stage Brace and Weight (Theatre Stage and Backstage)
The brace that holds a flat upright: a telescopic tube with a hook at the top and a shoe at the foot, standing on a 420 mm cast stage weight with a gilt edge and a lifting handle.
Set Dressing Table (Theatre Stage and Backstage)
A small side table for a room set: a bullnosed top 780 by 560 mm at 715 mm on tapered gilt legs with an H stretcher, dressed with a runner over one end and a prop book on the other.
Set Dressing Armchair (Theatre Stage and Backstage)
A period armchair for a room set: a crimson buttoned seat, back and arms on a boarded carcass, with turned gilt front legs, scrolled arm caps and gilt piping round the seat. It is 780 mm wide and sits 440 mm high.
Stage Steps (Theatre Stage and Backstage)
A three tread stage stair rising 600 mm to rostrum height, 1 m wide with gilt nosings and closed black strings. The top tread stands against a rostrum or the end of a deck run.
AnimatedDoor Flat (Theatre Stage and Backstage)
The same 1.2 by 3.6 m flat with a 820 by 2050 mm doorway in it and a panelled door hung in the opening on a gilt knob, so a run of flats has a way on and off.
Scenery Flat, Painted (Theatre Stage and Backstage)
The same 1.2 by 3.6 m flat painted for a room set: a deep scenic ground with abstract blocks, a band and a disc laid over it. The painting is deliberately abstract and carries no words or devices.
Rostrum Block (Theatre Stage and Backstage)
A 1.2 m square rostrum 600 mm high: a boarded top on a folding frame with rails, and a gilt nosing along the front edge. Stack them for a level or line them up for a low platform.
Scenery Flat (Theatre Stage and Backstage)
A 1.2 by 3.6 m canvas flat: a timber frame with two toggle rails and corner braces on the back and primed canvas stretched over the face. Butt a run of them for a stage wall.
Pin Rail (Theatre Stage and Backstage)
A 2.4 m pin rail on two posts: a steel barrel at 1.12 m with seven turned belaying pins through it and two hemp lines made off and flaked down in coils on the floor.
AnimatedCounterweight Frame with Weights (Theatre Stage and Backstage)
A 4.4 m counterweight frame: two guide channels with a head and foot block, a cradle carrying six weights on its guides, the purchase line running to the head, and a rope lock on the operating side.
AnimatedFly Bar with Lines and Sandbag Cradle (Theatre Stage and Backstage)
A 4 m fly bar hung on three hemp lines, with four hook clamps on it and a sandbagged cradle on its own line at the end. Butt two bars for an 8 m barrel over a stage and hang cloths, flats or lanterns from them.
Backdrop Cloth on a Batten (Theatre Stage and Backstage)
An 8 by 5.4 m painted backcloth tied to a top batten with a weighted pipe in the bottom pocket: a rippled canvas ground with abstract painted blocks on it, never a readable scene.
AnimatedHouse Tabs on a Track (Theatre Stage and Backstage)
The house curtain: two pleated crimson leaves with gilt fringes hanging 5.2 m from a 7.4 m overhead track on its carriers, closed on the centre line.
Stage Border Drape (Theatre Stage and Backstage)
A masking border: the same pleated cloth 8 m wide and 1.4 m deep, hung across the stage on its pipe to mask the fly bars and lanterns above the scene.
House Tabs on a Track, Drawn Open (Theatre Stage and Backstage)
The same 7.4 m tab track with both leaves drawn off to the sides and gathered into deep folds, leaving the opening clear. Use it where the curtain is open for the whole scene and nothing needs to move.
Stage Leg Drape (Theatre Stage and Backstage)
A masking leg: a 1.6 m wide pleated black-red cloth hanging 6 m from its own webbing heading and tie lines on a pipe. Hang a pair each side of every entrance to mask the wings.