Free models · Game-ready GLB
Modern
Every model below is a self-contained .glb under 25 MB that drops into three.js, Blender, Godot, Unity and Unreal, free to use and modify in commercial projects without attribution.
Load one straight from its CDN URL with a plain GLTFLoader, or take a whole themed set from the packs.
13,443 free GLB models
Pinsetter Machine Housing (Bowling Alley and Pool Hall)
The pinsetter that stands behind a pin deck on the lane pitch: a welded frame with side sheets, the accent masking panel a bowler sees above the pins, the distributor drum and chutes inside, and a control box. The cowl over the machine deck lifts on its back edge.
Bowling Pin (Bowling Alley and Pool Hall)
A single ten pin on the real profile: 381 mm tall, 121 mm across the belly, in coated white with the two red neck stripes and the dark base ring that keep it readable against a pale floor.
Bowling Lane Module (Bowling Alley and Pool Hall)
A ten foot bowling lane bed module, 1.054 m wide between the gutters and 90 mm above the floor, laid as 39 maple and synthetic boards with a 1 mm shadow between them on a steel sub-frame. Six modules make the regulation 18.29 m from foul line to head pin.
Bowling Lane Module with Range Finders (Bowling Alley and Pool Hall)
The same ten foot lane module carrying the seven range finder arrows in dark inlay, for the module that sits nearest the foul line. The arrows step back from the edges to the centre and point at the pins.
Bowling Gutter Pair (Bowling Alley and Pool Hall)
The pair of 235 mm gutter channels for one ten foot lane module, swept as a shallow U with the kickback wall on the outer side. The wall faces land on the 1.524 m lane pitch, so two lanes side by side share the kickback back to back.
Bowling Approach and Foul Line (Bowling Alley and Pool Hall)
A fifteen foot approach module the full 1.524 m lane pitch wide, in the same board construction as the lane, with the foul line inlaid across its far end and both rows of approach dots. Approaches butt side to side so a row of lanes shares one continuous run-up.
Live Room and Control Room (Music Recording Studio and Instruments)
A working studio built from the pack's own modules: a 9 by 5 m live room on oak floor modules with the kit set up on a patterned rug, guitars on stands beside their amps, a boom microphone over the kit and a vocal microphone with a pop shield inside a three panel isolation...
Guitar Wall Hanger (Music Recording Studio and Instruments)
A timber backed guitar wall hanger: a screwed plate with a steel stem and two sleeved yoke arms 140 mm apart, which is the cradle a guitar neck hangs in. The plate sits flat against the wall.
Studio Wall Clock (Music Recording Studio and Instruments)
A 260 mm studio wall clock: a matt black case with a cream dial, twelve markers, hour and minute hands and a red sweep hand. The back of the case sits at z=0 so it hangs flat on a wall.
Coffee Mug (Music Recording Studio and Instruments)
A 350 ml stoneware mug 100 mm tall with a banded glaze, a loop handle and coffee in it, for the console armrest.
Water Bottle (Music Recording Studio and Instruments)
A 750 ml water bottle 280 mm tall with a moulded waist, a printed band and a screw cap, for the corner of a desk or the top of an amp.
Studio Rug (Music Recording Studio and Instruments)
A 2.6 by 1.9 m patterned rug in teal, red and amber with a fringed edge, 10 mm thick. A kit is set up on one because it stops the drums walking and takes the ring off the floor.
Drum Throne (Music Recording Studio and Instruments)
The same stool built as a drum throne: a wider, deeper padded seat at 550 mm on a three leg frame, which is the height and the spread a kit is played from.
Studio Stool (Music Recording Studio and Instruments)
A 660 mm padded studio stool: a round upholstered seat on a four leg steel frame with a foot ring and rubber tips, for a guitarist, an engineer or a spare seat at the desk.
Music Stand (Music Recording Studio and Instruments)
A folding music stand at 1.06 m with a sheet on its desk: a perforated steel desk on a raked hinge, a telescopic column and a rubber footed tripod.
Flight Case, Small (Music Recording Studio and Instruments)
The same ply flight case in a 560 by 400 by 400 mm size without castors, for microphones, leads and small outboard.
Flight Case, Large (Music Recording Studio and Instruments)
A 920 by 560 by 580 mm ply flight case on castors: a riveted shell with aluminium extrusion edging, eight corner caps, two butterfly latches, spring handles, an amber lid label and a lid hinged along its back edge.
Cable Drum (Music Recording Studio and Instruments)
A 540 mm timber cable drum wound with black multicore, resting on its flanges with the tail led off and coiled on the floor beside it.
Isolation Screen (Music Recording Studio and Instruments)
A free-standing 900 by 1800 mm isolation screen: a framed 70 mm absorber in grey fabric on a steel post frame with weighted feet. Its screen-left and screen-right ports meet the next screen square or at a right angle, so three of them fold into a vocal booth.
Acoustic Ceiling Cloud (Music Recording Studio and Instruments)
A 1.2 by 0.9 m absorber cloud on four hanging wires: a timber frame wrapped in grey fabric with 550 mm of wire above it and ceiling anchors. The origin is at the bottom of the panel, so placing it at the ceiling height less the drop hangs it correctly.
Studio Door Module (Music Recording Studio and Instruments)
A 1.2 m wall module 2.4 m tall with a heavy acoustic studio door: a 860 by 2040 mm leaf with a fabric inset, a lever handle and three hinges, in a timber lined frame with a skirting. It carries the same wall-left and wall-right ports as the acoustic panel module.
Control Room Window Module (Music Recording Studio and Instruments)
A 2.4 m wall module 2.4 m tall with a 1.8 by 1.1 m double glazed studio window at 950 mm: two panes splayed apart in timber reveals, with a sill, a head and a skirting. Its wall-left and wall-right ports line up with the 1.2 m wall grid, so it drops into a run of acoustic panels.
Corner Bass Trap (Music Recording Studio and Instruments)
A 2.4 m corner bass trap: a 300 mm column with a quarter round fabric wrapped absorber across its face, timber caps and a skirting. Its wall-left, wall-right and wall-back ports meet the end of a wall run on either axis, so it closes a corner or caps an open end.
Acoustic Wall Panel Module, Amber (Music Recording Studio and Instruments)
The same 1.2 m treated wall module with the absorber wrapped in amber fabric, so a run of walls can be banded in colour instead of reading as a grey box.