Free models · Game-ready GLB
Modern
Every realistic modern model below is a self-contained .glb under 25 MB that drops into three.js, Blender, Godot, Unity and Unreal, free to use and modify in commercial projects without attribution.
Load one straight from its CDN URL with a plain GLTFLoader, or take a whole themed set from the packs.
9,627 free GLB models
AnimatedScene Dock Door Module (Theatre Stage and Backstage)
The 2 m wall module with the scene dock opening in it: a 1.4 by 3 m braced dock door on a boarded frame with a long gilt pull, tall and wide enough for a scenery flat to go through.
Props Table with Numbered Spaces (Theatre Stage and Backstage)
The props table in the wing: a 2 m trestle top at 820 mm with six taped out spaces and a blank plate at each, three of them holding a tankard, a candlestick and a prop book. The plates carry no numbering, so a project can letter its own.
Makeup Table with Stool (Theatre Stage and Backstage)
A dressing room makeup table: a bullnosed top 1.2 by 0.55 m at 760 mm with a gilt edge, a three drawer pedestal one end, an angled lamp on the other and an upholstered stool tucked under it.
Wig Block Stand (Theatre Stage and Backstage)
A wig block on a turned stand: a canvas head form 930 mm up on a weighted column, with a dressed wig pinned over it, a gilt band round the crown and a dish of pins at the foot.
Quick Change Booth Frame (Theatre Stage and Backstage)
The booth in the wings a costume change happens in: a 1.1 m square tube frame 2.1 m tall with pleated blacks on three sides, a carpet square underfoot, a mirror and a hook rail inside, and the fourth side left open.
AnimatedCostume Rail with Covers (Theatre Stage and Backstage)
A wheeled wardrobe rail 1.6 m long: two braced A frames on four castors carrying a hanging barrel of seven costumes under bagged covers, with a show bag and a shoe box on the shelf above.
Dressing Room Mirror Station (Theatre Stage and Backstage)
One place at a dressing room bench: a 1.3 m mirror in a surround of nineteen bare bulbs, a bullnosed shelf at 780 mm with a gilt edge on two standards, and a tray of sticks, a brush pot and a folded towel on it. It stands 2.05 m tall.
Row Letter Plate (Theatre Stage and Backstage)
The plate on a standard at the end of a stalls row: a gilt surround on a black ground with a blank cream tablet on it, on a short post 860 mm tall. The tablet is deliberately blank so a project can letter its own rows.
Lighting Bar with Lanterns (Theatre Stage and Backstage)
A 4 m lighting bar with four lanterns hung under it on hook clamps: rectangular bodies with lenses and barn doors, a cable run tied along the bar and three hanging lines above it.
AnimatedFollow Spot on a Rail (Theatre Stage and Backstage)
A follow spot at the front of the circle: a boarded platform with a rail on two posts, and a long barrelled lamp in a yoke on its pedestal with a gilt handle and douser on it.
House Lighting Bracket (Theatre Stage and Backstage)
A wall bracket for the house lights: a gilt back plate and scrolled arm carrying a cream shade with a lamp in it, reaching 260 mm off the wall and standing 640 mm tall.
Aisle Carpet Tile (Theatre Stage and Backstage)
A 2 m square of house carpet: crimson pile with a woven border and four gilt lozenges on it, for the aisles, the cross gangways and the foyer side of the auditorium.
Backstage Floor Tile (Theatre Stage and Backstage)
The same 2 m floor tile as bare boards: a painted timber deck with its joints, for the wings, the scene dock and the dressing room corridor.
Control Box Window Frame (Theatre Stage and Backstage)
The 2 m wall module with the control box window in it: a 1.4 by 0.9 m opening at 2 m on a boarded frame with a deep cill, gilt beads and the lit box behind it.
AnimatedExit Sign and Door Module (Theatre Stage and Backstage)
The 2 m wall module with a 1.5 m pair of exit doors in it: crimson leaves on a boarded frame with push bars and kick plates, under a lit exit box carrying an abstract bar and arrow rather than any wording.
Orchestra Pit Rail (Theatre Stage and Backstage)
A 2 m run of brass pit rail: two standards on plates carrying a top and mid rail with a dark mesh infill and a boarded kerb at the foot, for the edge between the stalls and the pit.
House Wall Module (Theatre Stage and Backstage)
The 2 by 4.6 m wall the auditorium and the backstage are built from: cream plaster over a crimson dado with a gilt rail, and a shallow pilaster with a gilt cap up the face.
Orchestra Pit Rostrum (Theatre Stage and Backstage)
A 1.2 m square player rostrum 400 mm high for the pit, dressed with a music stand and a stool: the same folding frame and boarded top as a stage rostrum at half the height.
Box Seating Unit (Theatre Stage and Backstage)
A two seat side box: a carpeted floor 2.2 by 1.8 m with a panelled front under a gilt band, plaster side walls, a crimson draped canopy over it and two chairs inside.
Circle Balcony Front Section (Theatre Stage and Backstage)
A 3 m section of circle front: a bowed plaster face with gilt bands top and bottom and three crimson panels, a carpeted soffit 1.4 m deep behind it and a brass rail on two standards above.
Aisle Step Module (Theatre Stage and Backstage)
The 1.2 m aisle step that runs up the side of a seating bank: the same 1 m tread and 250 mm riser as a stalls row, with a gilt nosing, a carpet runner and a step light let into the riser.
AnimatedStalls Seating Row Module (Theatre Stage and Backstage)
A 3 m stalls module carrying four tip up seats on a 720 mm pitch: a 1 m tread on a 250 mm riser with a gilt nosing and a carpet runner, crimson buttoned backs with gilt piping, black standards with scroll ends and four folding bases.
Prompt Desk with Monitor and Cue Light (Theatre Stage and Backstage)
The corner desk that runs a show from the wing: a boarded top at 900 mm on a black frame with a shelf, a bezelled monitor showing the stage, a paging microphone on a gooseneck, a cue light head in red and green, and the prompt copy open on the desk.
Stage Brace and Weight (Theatre Stage and Backstage)
The brace that holds a flat upright: a telescopic tube with a hook at the top and a shoe at the foot, standing on a 420 mm cast stage weight with a gilt edge and a lifting handle.