Free models · Game-ready GLB
Buildings
Every modern building below is a self-contained .glb under 25 MB that drops into three.js, Blender, Godot, Unity and Unreal, free to use and modify in commercial projects without attribution.
Load one straight from its CDN URL with a plain GLTFLoader, or take a whole buildings set from the packs.
1,471 free GLB models
Lighting Bar with Lanterns (Theatre Stage and Backstage)
A 4 m lighting bar with four lanterns hung under it on hook clamps: rectangular bodies with lenses and barn doors, a cable run tied along the bar and three hanging lines above it.
Aisle Carpet Tile (Theatre Stage and Backstage)
A 2 m square of house carpet: crimson pile with a woven border and four gilt lozenges on it, for the aisles, the cross gangways and the foyer side of the auditorium.
Backstage Floor Tile (Theatre Stage and Backstage)
The same 2 m floor tile as bare boards: a painted timber deck with its joints, for the wings, the scene dock and the dressing room corridor.
Control Box Window Frame (Theatre Stage and Backstage)
The 2 m wall module with the control box window in it: a 1.4 by 0.9 m opening at 2 m on a boarded frame with a deep cill, gilt beads and the lit box behind it.
AnimatedExit Sign and Door Module (Theatre Stage and Backstage)
The 2 m wall module with a 1.5 m pair of exit doors in it: crimson leaves on a boarded frame with push bars and kick plates, under a lit exit box carrying an abstract bar and arrow rather than any wording.
Orchestra Pit Rail (Theatre Stage and Backstage)
A 2 m run of brass pit rail: two standards on plates carrying a top and mid rail with a dark mesh infill and a boarded kerb at the foot, for the edge between the stalls and the pit.
House Wall Module (Theatre Stage and Backstage)
The 2 by 4.6 m wall the auditorium and the backstage are built from: cream plaster over a crimson dado with a gilt rail, and a shallow pilaster with a gilt cap up the face.
Orchestra Pit Rostrum (Theatre Stage and Backstage)
A 1.2 m square player rostrum 400 mm high for the pit, dressed with a music stand and a stool: the same folding frame and boarded top as a stage rostrum at half the height.
Box Seating Unit (Theatre Stage and Backstage)
A two seat side box: a carpeted floor 2.2 by 1.8 m with a panelled front under a gilt band, plaster side walls, a crimson draped canopy over it and two chairs inside.
Circle Balcony Front Section (Theatre Stage and Backstage)
A 3 m section of circle front: a bowed plaster face with gilt bands top and bottom and three crimson panels, a carpeted soffit 1.4 m deep behind it and a brass rail on two standards above.
Aisle Step Module (Theatre Stage and Backstage)
The 1.2 m aisle step that runs up the side of a seating bank: the same 1 m tread and 250 mm riser as a stalls row, with a gilt nosing, a carpet runner and a step light let into the riser.
Stage Steps (Theatre Stage and Backstage)
A three tread stage stair rising 600 mm to rostrum height, 1 m wide with gilt nosings and closed black strings. The top tread stands against a rostrum or the end of a deck run.
AnimatedDoor Flat (Theatre Stage and Backstage)
The same 1.2 by 3.6 m flat with a 820 by 2050 mm doorway in it and a panelled door hung in the opening on a gilt knob, so a run of flats has a way on and off.
Scenery Flat, Painted (Theatre Stage and Backstage)
The same 1.2 by 3.6 m flat painted for a room set: a deep scenic ground with abstract blocks, a band and a disc laid over it. The painting is deliberately abstract and carries no words or devices.
Rostrum Block (Theatre Stage and Backstage)
A 1.2 m square rostrum 600 mm high: a boarded top on a folding frame with rails, and a gilt nosing along the front edge. Stack them for a level or line them up for a low platform.
Scenery Flat (Theatre Stage and Backstage)
A 1.2 by 3.6 m canvas flat: a timber frame with two toggle rails and corner braces on the back and primed canvas stretched over the face. Butt a run of them for a stage wall.
Pin Rail (Theatre Stage and Backstage)
A 2.4 m pin rail on two posts: a steel barrel at 1.12 m with seven turned belaying pins through it and two hemp lines made off and flaked down in coils on the floor.
AnimatedCounterweight Frame with Weights (Theatre Stage and Backstage)
A 4.4 m counterweight frame: two guide channels with a head and foot block, a cradle carrying six weights on its guides, the purchase line running to the head, and a rope lock on the operating side.
AnimatedFly Bar with Lines and Sandbag Cradle (Theatre Stage and Backstage)
A 4 m fly bar hung on three hemp lines, with four hook clamps on it and a sandbagged cradle on its own line at the end. Butt two bars for an 8 m barrel over a stage and hang cloths, flats or lanterns from them.
Stage Deck Module (Theatre Stage and Backstage)
A 2 by 1 m stage deck on 900 mm legs: a painted ply top on a welded frame with sleeved legs, levelling feet and steel corner plates. Repeat it on the 2 by 1 m grid to lay a stage of any size.
Proscenium Arch Frame (Theatre Stage and Backstage)
The arch that frames a playhouse stage: two 1.4 m jambs on boarded plinths with gilt pilasters and fluted reveal beads, and a 1.2 m head with a moulded band and an abstract centre cartouche over a 7.2 by 5.2 m opening. It stands 10 m wide and 6.4 m tall.
Apron Edge with Footlight Strip (Theatre Stage and Backstage)
A 2 m run of apron edge: the black downstage facing with a gilt moulded nosing, a boarded apron strip behind it and a reflector trough of six footlights let into the deck. Butt the sections along the front of a stage of deck modules.
AnimatedStage Trap Section (Theatre Stage and Backstage)
The deck module with a 900 mm trap in it: a boarded lid with a ring pull sitting in a rebated well, four guide posts running down into the understage and the same legs and corner plates as a plain module.
Skirting Run (Art Gallery and Exhibition Rooms)
A 2 m run of gallery skirting: a dark 120 mm board with a white bead on top, the trim that takes the scuffs where a wall meets a floor.