3D Assets
@3dassets
Ball Rack, Empty (Bowling Alley and Pool Hall)
The same rack with every ball taken off it, for a lane that is closed or a rack a consumer loads themselves.
AnimatedBowling Ball, Marbled (Bowling Alley and Pool Hall)
The same house ball in black resin with cream marbling swirled round it, for a rack that is not all one colour.
AnimatedBowling Ball (Bowling Alley and Pool Hall)
A 218 mm house ball in magenta resin with the three drilled finger holes sunk into its top face. The whole ball is one named node on its own centre, so it rolls.
Ball Rack with Balls, Cool Set (Bowling Alley and Pool Hall)
The same house rack loaded with the cool half of the ball colours: glowing cyan, black and green.
Ball Rack with Balls, Warm Set (Bowling Alley and Pool Hall)
The same house rack loaded with the warm half of the ball colours: magenta, timber marble and cream.
Ball Rack with Balls (Bowling Alley and Pool Hall)
A six ball house rack on two curved chrome rails and a welded frame, loaded with balls in the house colours. The rails hold every ball clear of its finger holes, the way a real rack does.
AnimatedBall Return Unit (Bowling Alley and Pool Hall)
The ball return console that stands between two lanes: a tapered frame body with glowing side bands, the chrome return rails and two balls waiting on the ramp, and a hood over the ball lift that opens on its back edge for a jam.
Pin Deck, Cleared (Bowling Alley and Pool Hall)
The same pin deck module swept clear, with the ten spots marked and no pins standing, for the frame between a strike and a respot or for a lane that is shut.
Pin Deck with a Full Rack (Bowling Alley and Pool Hall)
A pin deck module on the 1.524 m lane pitch with a full rack of ten pins standing on the real 12 inch triangle, kickback walls either side and the pit shield across the back. The head pin is toward +Z, the way a bowler sees it.
AnimatedPinsetter Machine Housing (Bowling Alley and Pool Hall)
The pinsetter that stands behind a pin deck on the lane pitch: a welded frame with side sheets, the accent masking panel a bowler sees above the pins, the distributor drum and chutes inside, and a control box. The cowl over the machine deck lifts on its back edge.
Bowling Pin (Bowling Alley and Pool Hall)
A single ten pin on the real profile: 381 mm tall, 121 mm across the belly, in coated white with the two red neck stripes and the dark base ring that keep it readable against a pale floor.
Bowling Lane Module (Bowling Alley and Pool Hall)
A ten foot bowling lane bed module, 1.054 m wide between the gutters and 90 mm above the floor, laid as 39 maple and synthetic boards with a 1 mm shadow between them on a steel sub-frame. Six modules make the regulation 18.29 m from foul line to head pin.
Bowling Lane Module with Range Finders (Bowling Alley and Pool Hall)
The same ten foot lane module carrying the seven range finder arrows in dark inlay, for the module that sits nearest the foul line. The arrows step back from the edges to the centre and point at the pins.
Bowling Gutter Pair (Bowling Alley and Pool Hall)
The pair of 235 mm gutter channels for one ten foot lane module, swept as a shallow U with the kickback wall on the outer side. The wall faces land on the 1.524 m lane pitch, so two lanes side by side share the kickback back to back.
Bowling Approach and Foul Line (Bowling Alley and Pool Hall)
A fifteen foot approach module the full 1.524 m lane pitch wide, in the same board construction as the lane, with the foul line inlaid across its far end and both rows of approach dots. Approaches butt side to side so a row of lanes shares one continuous run-up.
Live Room and Control Room (Music Recording Studio and Instruments)
A working studio built from the pack's own modules: a 9 by 5 m live room on oak floor modules with the kit set up on a patterned rug, guitars on stands beside their amps, a boom microphone over the kit and a vocal microphone with a pop shield inside a three panel isolation...
Guitar Wall Hanger (Music Recording Studio and Instruments)
A timber backed guitar wall hanger: a screwed plate with a steel stem and two sleeved yoke arms 140 mm apart, which is the cradle a guitar neck hangs in. The plate sits flat against the wall.
Studio Wall Clock (Music Recording Studio and Instruments)
A 260 mm studio wall clock: a matt black case with a cream dial, twelve markers, hour and minute hands and a red sweep hand. The back of the case sits at z=0 so it hangs flat on a wall.
Coffee Mug (Music Recording Studio and Instruments)
A 350 ml stoneware mug 100 mm tall with a banded glaze, a loop handle and coffee in it, for the console armrest.
Water Bottle (Music Recording Studio and Instruments)
A 750 ml water bottle 280 mm tall with a moulded waist, a printed band and a screw cap, for the corner of a desk or the top of an amp.
Studio Rug (Music Recording Studio and Instruments)
A 2.6 by 1.9 m patterned rug in teal, red and amber with a fringed edge, 10 mm thick. A kit is set up on one because it stops the drums walking and takes the ring off the floor.
Drum Throne (Music Recording Studio and Instruments)
The same stool built as a drum throne: a wider, deeper padded seat at 550 mm on a three leg frame, which is the height and the spread a kit is played from.
Studio Stool (Music Recording Studio and Instruments)
A 660 mm padded studio stool: a round upholstered seat on a four leg steel frame with a foot ring and rubber tips, for a guitarist, an engineer or a spare seat at the desk.
Music Stand (Music Recording Studio and Instruments)
A folding music stand at 1.06 m with a sheet on its desk: a perforated steel desk on a raked hinge, a telescopic column and a rubber footed tripod.