Distillery Yard and Bonded Warehouse

A yard with two open topped buildings on it, laid out as the process a visitor walks.

The process range runs the length of one side. At the far end the malt intake stacks sacks under the malt bin, with the mill rolls turning below the grist hopper. Next comes the mash house with the mash tun and its rake gear, the lauter plate and a plate heat exchanger. Then the tun room: two wooden washbacks and two steel ones, the switcher head turning on the near steel vessel, with pump sets and valved pipework in the middle aisle. The range opens to the yard at the stillhouse, where four copper pots stand in a row, swan necks and lyne arms running back to a worm tub and a shell and tube condenser. The spirit safe sits on its stand in front of them with a hydrometer set beside it, and the low wines and spirit receivers stand behind.

The services strip fills the alley between the buildings: boiler front, fuel hopper, steam line with trap, two pump sets, pipework and a control panel. The kiln cell beside it is the only roofed thing here, slate with the pagoda vent on top, which is what makes the silhouette read.

The filling store works in the open in front of the warehouse doors: a hoist rail with a chain block, racking benches, bung tools, a hose reel and a drain run, with casks lined up to be filled.

The bonded warehouse is five rows racked three casks high the length of its floor, a two tier row across the far end, dunnage stacks and loose casks down the aisles.

The yard carries the cooperage corner (charring drum, anvil and croze, stave bundles, hoop stacks, stencil bench), a seasoning line of two tier racks, the visitor tasting counter with its glasses, and the weighbridge with a flatbed lorry and pallets of casks beside it.

What moves. The warehouse door pairs swing open, and so do the spirit safe, the sample cabinet, the racking benches and the stencil bench. The mash tun rake gear and the switcher head spin, the mill rolls turn, the valve handwheels on the pipework runs spin, the charring drum rotates, the chain block lifts and the lorry wheels roll.

What does not move, and why. There is no steam, no spirit, no liquid in the safe or the receivers, and no smoke from the kiln: fluid needs a shader, and this catalogue ships rigid node transform clips only. Hoses and chain links hang static for the same reason, since flexible material needs a joint per element rather than one node. There are no people anywhere in the pack: nothing here is skinned.

Blank by design. Every cask end, stencil plate, dial face, gauge board, glass and lorry panel is left blank, so the place carries no name and nothing has to be painted out before you use it.

Both buildings are left open topped on purpose. The demo walk has no vertical movement, so a roof would simply hide its own contents from every camera.

Every piece here is a published model from the pack, placed by hand. Walk with the keys or touch, and approach a piece to see it move if it has animation. Colliders, navigation and gameplay are yours to add.